Storyboard
Overhead Shot
In this scene, the director follows all of the rules of
camera placement throughout the scene.
If you do not know what scene I am talking about, take a look at my
third post to watch and compare. They
did not take the camera past the 180-degree line while the two characters were
in the house. The camera did change in
rotation in the house, but did not cross that line to make the shot
inconsistent. It did break the
180-degree line when they shot outside by doing a complete turn to behind the
character. It was a good break of the
rule because it gave the scene a different point of view from both the actors
inside and the actor outside getting questioned. Rule of thirds was not really used for this
scene. I did notice it being used during
the outside and inside scene. When the
camera was centered behind Reggie outside, the way the camera is placed makes
you focus on Marcus on the right and Mike on the left. This was a good use of the rule because the
back of someone’s head is not something you want to focus on during a shot like
that. The 30-30 rule was not really used
in this scene so much because there was not any real face to face dialogue, and
the dialogue that was swiveled on a 180-degree angle and not a 30 degree
angle. The director did break the role
for the 180-degree line but it was very effective, also the use of the rule of
thirds was very effective. The actors
where chosen to perfection for the shot and made the camera angles work for them
and to move forward the movie. Also,
this is one of my favorite movies so if you have not seen the whole movie, I advise
you see it and enjoy it.


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